Monday, January 31, 2011


Baguio-based artist Leonardo Aguinaldo studied Architectural Drafting in Baguio. In 2004, he won the grand prize in the ASEAN Art Award in Bangkok, Thailand, and was named the Best Emerging ASEAN Artist. He is Thirteen Artists Awardee of the Cultural Center of the Philippines, and has participated in numerous international art exhibitions including the Busan Biennale South Korea, International Open Air Exhibition, Kanagawa Prefecture in Yokohama, Japan and Nature Art in Korea.

In September 2009, Leonard traveled to the United States as a Freeman Fellow Resident Artist at the Vermont Studio Center. "STATE SIDE" is a collection of artworks from that residency. (Preview his artworks here, and read his artist's statement here.)

The show opens on February 9, 2011 at 6pm at the Looking for Juan, 2nd Level, Serendra, Bonifacio Global City. For inquiries, please call 901-3152 or email

Friday, January 28, 2011

How to Tell Good Stories

Telling good stories is what we try to be about. From our books to our shows and soon, to our Mga Kuwento Natin project... we just want to say something good that others will find compelling.

So when we find something or someone who has something to say about how to do just that, we sit up and listen. And here's some advice from one of the best. In this talk, divided into four parts, Ira Glass, host and producer of the multi-awarded This American Life on National Public Radio, shares his thoughts on the art of storytelling.

Wednesday, January 26, 2011

Art in the Park 2011

Mark your calendars - February 19, 2011. That's a Saturday.

Art in the Park is a once-a-year chance to find affordable artworks (nothing over P20,000.00!) from some of the best young artists today. And sales all benefit the National Museum.

It's a great way to spend your afternoon, and to add to or begin your art collection. See you there!

Tuesday, January 25, 2011


We're told - and looking at the cover - we're featured in the latest issue.

We haven't read it yet, and we're already honored. :-)

Sunday, January 2, 2011


We're ready and looking forward to be enthralled and surprised!

It's time to again start the New Year with an invitation for you to join and submit an entry to our annual Romeo Forbes Children's Story Writing Competition!

This year, Liv Vinluan does the honors and provides the inspiration with this new contest piece:

(Untitled Contest Piece)
by Liv Vinluan
48"x48" oil on canvas (2010)

Contest Rules and Conditions

1. CANVAS' Romeo Forbes Children's Storywriting Competition is open to all Filipinos.

2. Entries must not have been previously published or submitted in any other competition, and all entrants must warrant the originality of their submitted entries.

3. Writers may submit only one entry, which may be in English or Filipino. The entry must not exceed 1,500 words.

4. There is no particular theme, other than the use of Liv Vinluan's untitled contest piece, shown above, as the inspiration or basis for the entry.

5. Judging Process. A CANVAS review panel shall read and award points for all stories received based on the following criteria:

* Originality and Storyline (35%)
* Imagery (35%)
* Quality of Writing (20%)
* X-Factor/Judges' discretion (10%)

Based on the points received, CANVAS shall forward a shortlist of at least five stories with the highest scores to the Artist. The Artist shall then provide comments on any or all the stories, for consideration by the panel of judges.

The panel of judges - taking the contest criteria and Artist comments into non-binding consideration - shall collectively choose the winner from the shortlist of stories.

If the judges cannot come to a consensus on the winner, they shall take a vote and the entry that gains the most number of votes shall be declared the winner.

None of CANVAS' review panel, the judges or the Artist shall see the entrant's name until the winner is chosen.

6. Entries must be submitted by email, as a Microsoft Word attachment, to with the subject heading 2011 ROMEO FORBES CHILDREN'S STORYWRITING COMPETITION. In the body of the email, entrants must provide their name, the title of their entry, mailing and email address, and telephone/cellphone number. Only the story title should appear on all pages of the attached entry.

7. The deadline for submission of entries is 5:00 p.m. (Manila time), Thursday, 31 March 2011. Entries received after the deadline, even if sent earlier, will no longer be considered for the competition.

Kindly note that CANVAS acknowledges each and every entry that we receive. If you submitted a story, and do not receive an acknowledgment from us within 24 hours, please assume that your story was not received and kindly resend it to us.

Entries received after the deadline, even if sent earlier, will no longer be considered for the competition. CANVAS shall not be responsible for entries which are not received, or which are received after the deadline, due to technical failure or for any other reason whatsoever.

8. All entrants hereby agree to authorize CANVAS to post their entries on its website, as CANVAS deems fit, and free from any payments, royalties or fees whatsoever.

9. There shall be only one winner, who shall receive a cash prize of PhP 35,000.00 (less applicable withholding tax) for his/her entry.

The winning writer shall also be entitled to five (5) free copies upon publication of the book.

The winner shall grant and transfer to CANVAS all intellectual property and publication rights to the story, including any translations, adaptations or modifications thereto.

It is hereby understood that the cash prize to be awarded to the winner shall include consideration of such intellectual property and publication rights to the story, and the writer shall not be entitled to any other royalties or fees from earnings, if any, that may result from future publication of, licensing of, or other transactions on the same.

(Please see our note below on why we have this rule.)

10. Except for the right to publish any received entry on its website, CANVAS shall not retain any other rights to entries that are not selected as the winner, except where separate agreements are reached with the writers.

11. CANVAS shall exercise full and exclusive editorial and artistic control over the publication of the winning entry and resulting book.

While, it is the full intention of CANVAS to publish the winning entry as a full-color children's book, CANVAS reserves the right not to publish the same for any reason whatsoever.

12. The winner of the CANVAS storywriting competition will be announced on or around the first half of June 2011. The winner will also be notified via email and by text message on the same announcement date.

13. CANVAS reserves the right not to award the top competition prize in the unlikely event that the judges decide that no entry was received that is deserving of the top prize. In such event, however, CANVAS shall have no right whatsoever over all entries that were received; and shall not publish any entry, in its website or in any other venue, without the prior written consent or agreement of the author.

14. The decision of the competition judges shall be final, and no correspondence or inquiries into the same - including requests for comments/feedback on received entries - shall be entertained.

15. Employees of CANVAS, and members of their immediate family, as well as the Artist's immediate family, are disqualified from participating in the competition.

* * * * * * * * * * * * * * * * * * * * * *

Why We Ask for the Transfer of Rights

The competition rules (Rule 9) clearly state that the winning author should agree to transfer all rights to CANVAS and "...shall not be entitled to any other royalties or fees from earnings, if any, that may result from future publication of, derivative works, licensing of, or other transactions on the same."

This rule has understandably raised quite a few eyebrows in the writers' community, and this note is just to clarify where it is that CANVAS is coming from.

First of all, having complete ownership of the story rights makes it easier and less complicated for us to quickly and liberally share and give our consent to anyone who may ask for permission to use the winning story (something that we have always granted in the past).

It is for this very reason that the stories and illustrations of books we publish are all available for free viewing and enjoyment on our website (, despite the concern of some that the easy availability of the stories on the Internet could eat into the sales of our books (which, happily, has not proven to be the case).

We have, in fact, now taken it one step further. All our stories are now available and downloadable on our website FOR FREE, in both English and Filipino. Just as we were fortunate enough to have been given permission to adapt "The Man Who Planted Trees," into our maiden publication - "Elias and His Trees," - we hope that the stories that we work on will inspire similar creativity.

A second reason why we ask for the transfer of rights is that CANVAS is a small nonprofit, and is not equipped to document and track royalty shares that ideally should accrue to authors and artists. In fact, we only rely on and trust our partner publisher(s) to remit to us our own royalty shares. It is for this reason that our prizes (we think), are quite substantial and approximates (if not exceeds) what writers would normally expect to receive in royalties.

Third, we are also trying to get the stories published abroad. Should we get really lucky and end up on the NY Times Bestseller List or say, get our book selected by Oprah, be assured that we will make things right with the artist and writer (you'll just have to trust us on this).

But until then, having demonstrably complete ownership over the rights makes it easier and less complicated for us to approach and negotiate with would-be publishers and agents (who hopefully would not be spooked by our giving out downloadable e-books for free in the first place).

Finally, we are also trying to be financially sustainable. We rely on a small amount of grant funding to conduct our activities, including co-sharing the publication costs of the books. We can only hope to recoup the expenses so that we can do these activities on a continuing and recurring basis in the years to come.

Please be assured of our continuing effort to balance our desire to contribute to the public domain in a manner that is also fair to the writers and artists, on the one hand; and our need to also be fiscally responsible with the grants that have been entrusted to us, and to the publishers that we partner with, on the other.